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Jonathan Reed
Jonathan Reed

Let The Musicians Praise


Praise the Lord! Praise God in his sanctuary; praise him in his mighty heavens! Praise him for his mighty deeds; praise him according to his excellent greatness! Praise him with trumpet sound; praise him with lute and harp! Praise him with tambourine and dance; praise him with strings and pipe! Praise him with sounding cymbals; praise him with loud clashing cymbals! ...




Let the Musicians Praise



And when the builders laid the foundation of the temple of the Lord, the priests in their vestments came forward with trumpets, and the Levites, the sons of Asaph, with cymbals, to praise the Lord, according to the directions of David king of Israel.


Bible Verses about Music: Sing Praises to the Lord!God created us with the ability to sing and make music. Music is an important part of worship and praise to God, so it only seems fitting that bible verses about music can be found throughout scripture. Rejoice in the sound through this collection of bible verses about music!"Addressing one another in psalms and hymns and spiritual songs, singing and making melody to the Lord with your heart" Ephesians 5:19Download a free PDF: Bible Verses about Worship to save or share as inspiration to worship God in our daily lives!


Psalm 150 is the 150th and final psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the LORD. Praise God in his sanctuary". In Latin, it is known as "Laudate Dominum in sanctis eius".[1] In Psalm 150, the psalmist urges the congregation to praise God with music and dancing, naming nine types of musical instruments.


The Jerusalem Bible describes Psalm 150 as a "final chorus of praise".[2] It is a hymn psalm, forming a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. As one of the Laudate psalms, it was part of the Lauds, a Catholic morning service. It has been paraphrased in hymns and has often been set to music. Composers have written settings throughout the centuries, in various languages, including Bruckner's German setting, Psalm 150, from 1892; the third movement of Stravinsky's Symphony of Psalms in Latin; and the third movement, Tehillim, in Hebrew in the Gloria by Karl Jenkins in 2010.


Psalm 150 names nine types of musical instruments to be used in praise of God.[10] While the exact translation of some of these instruments is unknown, the Jewish commentators have identified the shofar, lyre, harp, drum, organ, flute, cymbal, and trumpet.[11] Saint Augustine observes that all human faculties are used in producing music from these instruments: "The breath is employed in blowing the trumpet; the fingers are used in striking the strings of the psaltery and the harp; the whole hand is exerted in beating the timbrel; the feet move in the dance".[3]


With its focus on musical instruments, Psalm 150 has been called "the musicians' psalm",[27] and also "praise beyond words".[28] It has inspired many composers to musical settings, from paraphrasing hymns to use in extended symphonic works:


Lord God, gracious and merciful, we pray for their strength, and the strength of their families and loved ones. We ask that you continue to cause them to create and share the gift of music through instrument and voice. May they find joy in their work and may it fill them with peace, comfort and purpose. Fill musicians with your light and love as they generously share with the world. Lord let all creation sing your praise and the host make music in your presence. Bless musicians as only you can. In your name we pray.


But when her masters saw that their hope of profit was gone, they seized Paul and Silas and dragged them into the market place before the authorities, and when they had brought them to the chief magistrates, they said, "These men are throwing our city into confusion, being Jews, and are proclaiming customs which it is not lawful for us to accept or to observe, being Romans." read more. The crowd rose up together against them, and the chief magistrates tore their robes off them and proceeded to order them to be beaten with rods. When they had struck them with many blows, they threw them into prison, commanding the jailer to guard them securely; and he, having received such a command, threw them into the inner prison and fastened their feet in the stocks. But about midnight Paul and Silas were praying and singing hymns of praise to God, and the prisoners were listening to them; and suddenly there came a great earthquake, so that the foundations of the prison house were shaken; and immediately all the doors were opened and everyone's chains were unfastened. When the jailer awoke and saw the prison doors opened, he drew his sword and was about to kill himself, supposing that the prisoners had escaped. But Paul cried out with a loud voice, saying, "Do not harm yourself, for we are all here!" And he called for lights and rushed in, and trembling with fear he fell down before Paul and Silas, and after he brought them out, he said, "Sirs, what must I do to be saved?" They said, "Believe in the Lord Jesus, and you will be saved, you and your household." And they spoke the word of the Lord to him together with all who were in his house. And he took them that very hour of the night and washed their wounds, and immediately he was baptized, he and all his household. And he brought them into his house and set food before them, and rejoiced greatly, having believed in God with his whole household.


Sreevidhya Chandramouli opens her concert at the Library of Congress with this song in praise of Saraswati, who is usually depicted with the Vedas, and playing or holding a vina, the instrument Sreevidhya is playing. 2009.


Within the Protestant Christian tradition, American sacred music developed, and continues to develop, in a variety of directions as diverse ethnic groups add their voices to the musical landscape of the United States. In the eighteenth century, the Moravian Church, a renewed branch of the Pre-Reformation Brethren of Unity which had philosophical grounding in the work of fifteenth-century Czech priest Jan Hus, established major settlements in Bethlehem, Pennsylvania in 1741 and in Salem, North Carolina in 1766 (present day Winston-Salem). Their music was well-grounded in the grand sacred tradition of the European Baroque period and included instrumental ensembles, most famously the trombone choir, to accompany their services which were spoken and sung in both German and English. As early as 1742, the congregation in Bethlehem, Pennsylvania had a wide variety of stringed and wind instruments as well as an organ and other keyboard instruments just a few years later. The extensive use of musical instruments in Moravian culture was certainly an impetus for Pennsylvania-born Moravian luthier John Antes to make what is probably the first violin to be constructed in the United States in 1759. The diversity of music within the Moravian community led to developments in both sacred and secular music independent of the hymn tradition of New England composers such as William Billings. For example, in addition to his sacred vocal music, Moravian composer Johann Friedrich Peter of Salem, North Carolina, wrote a set of string quintets in 1789 which are the earliest known examples of secular chamber music written in the United States. The Moravians represent just one of many possible examples of how music written for worship and praise can fulfill not only a sacred function, but can also change the cultural direction of society at large.


As scholars and musicians uncover forgotten traditions and new technologies foster the development of increasingly diverse communities, music of worship and praise remains the "tie that binds" likeminded people together.


7. 1 Chronicles 16:23-25 Let the whole earth sing to the LORD! Each day proclaim the good news that he saves. Publish his glorious deeds among the nations. Tell everyone about the amazing things he does. Great is the LORD! He is most worthy of praise! He is to be feared above all gods.


11. Ezra 3:10 When the builders laid the foundation of the temple of the LORD, the priests in their vestments and with trumpets, and the Levites (the sons of Asaph) with cymbals, took their places to praise the LORD, as prescribed by David king of Israel.


God has done and will continue to do great things in the lives of those who love Him. Our immediate response to Him is lifting up grateful hands and singing a song of praise. Singing allows us the opportunity to speak out about what He has done: broken chains of darkness, forgiven sin, and restored strength to those who are weak.


"We Are" by Dr. Ysaÿe Barnwell (Vimeo), performed by Dr. Ysaÿe Barnwell and the UUA General Assembly 2020 virtual choir. Produced and Directed by Benjie Messer. Video Editing and Motion Graphics by Izzy Hyman. Audio Editing by Sam Plattner. Photos by Clint McKoy, Christopher L. Walton, Paul Becker, Janine Gelsinger, and contributed by members of the choir. All audio and videos was captured by musicians in their own homes. Dr. Barnwell notes that if you've purchased scores for each of your singers, there is nothing else required. However, if you wish to use this piece in worship, please send a one-time fee of $30 to Barnwells Notes, Inc., 2441 Tunlaw Rd NW, Washington, D.C. 20007-1819.


O musician of God! ... The songsters of fellowship that abide in the gardens of holiness must pour forth such a triumphant burst of songs in this age that the birds in the fields may wing their flight in a transport of delight; and in this divine festival, this heavenly banquet, they should play the lute and the harp, and the viol and the lyre in such wise that the people of east and west may be filled with exceeding joy and gladness, and be carried away with exultation and happiness. Now it behoveth thee to raise the melody of that heavenly lyre and to perform music on that celestial lute, thus causing Bárbud1 to return to life and Rúdakí2 to be solaced and Fárábí3 to become restless and Ibn-i-Síná4 to be guided to the Sinai of God. Upon thee be salutation and praise. 041b061a72


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